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Producer

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CURRENT POSITIONS

Founder / Artistic and General Director - American Lyric Theater (2005 - Present)
General Director - Chicago Opera Theater (2023 - Present)


FORMER POSITIONS:
Artistic Director - Moores Opera Center, University of Houston (2022 - 2023)
Artistic and General Director - Opera Saratoga (2014 - 2022)

Creative Producer - Saratoga Performing Arts Center (2017 - 2022)

 

Professional Profile

  • Highly organized, creative leader with a proven track record of balancing artistic idealism and fiscal realism

  • Innovative Artistic Programmer who has developed unique collaboration models between companies that provide new opportunities and increase artistic quality between partners while reducing financial risk and expense

  • Successful arts executive with a proven track record of leading non-profit and for-profit companies in challenging economic times as well as when the economy has been thriving

  • Management professional with experience overseeing day-to-day operations, managing high performance teams, and effectively implementing complex program activities

  • Articulate, knowledgeable, and passionate advocate for opera and the performing arts, able to communicate effectively with a variety of stakeholders including subscribers, press, board members, government officials, and funders

  • Proven fundraiser who has personally secured grants from major foundations, government agencies, corporations and individuals

  • Experienced negotiator who has secured highly favorable contracts ranging from union and individual artist agreements to complex intellectual property matters, co-production, recording, and licensing agreements

  • Critically acclaimed Stage Director with extensive artistic relationships internationally, and a proven commitment to the mentorship of emerging talent in the opera field

  • Goal-driven, Masters educated professional who has completed advanced studies in Performing Arts Administration, Directing, and Music

AREAS OF EXPERTISE

  • Artist Mentorship – Composers and Librettists; Singers, Conductors, and Directors

  • Audience Diversification / Building Participation

  • Branding

  • Budgeting

  • Casting

  • Co-Production / Licensing Agreements

  • Contract Negotiations / Collective Bargaining

  • Cultivating Funder Relationships

  • Financial Reporting (State and Federal Non Profit Filings)

  • Grant Writing and Reporting

  • Intellectual Property Issues

  • Marketing Planning, Execution and Evaluation

  • Marketing Research

  • New Works Development / Dramaturgy

  • Non Profit Accounting Practices

  • Program Development

  • Season Planning

  • Stage Direction

  • Strategic Planning

COMPLETE CV AVAILABLE UPON REQUEST